A gripping and lyrical story—at once expansive and lush with detail—this debut novel is a deeply intimate exploration of the search for love and authenticity, power and redemption, in the lives of three women, and a penetrating portrait of a small, tenacious nation, Uruguay, shaken in the gales of the twentieth century.
On the first day of the millennium, a small town gathers to witness a miracle and unravel its portents for the century: the mysterious reappearance of a lost infant, Pajarita. Later, as a young woman in the capital city—Montevideo, brimming with growth and promise—Pajarita begins a lineage of fiercely independent women. Her daughter, Eva, survives a brutal childhood to pursue her dreams as a rebellious poet and along the hazardous precipices of erotic love. Eva’s daughter, Salomé, driven by an unrelenting idealism, commits clandestine acts that will end in tragedy as unrest sweeps Uruguay. But what saves them all is the fierce fortifying connection between mother and daughter that will bring them together to face the future.
From Perón’s glittering Buenos Aires to the rustic hills of Rio de Janeiro, from the haven of a corner butchershop in Montevideo to U.S. embassy halls, the Firielli family traverses a changing South America and the uncharted terrain of their relationships with one another.
From the Compact Disc edition.
Excerpts
From the book
...
Pajarita
Montevideo, Uruguay, 1924: Pajarita grew up in the country and first arrived in the city as a seventeen-year-old bride. Now, her husband has not been home for days, leaving her alone with three small children and a house that has run out of food. Her friend Coco, the butcher's wife, has come over to visit.
"First of all," Coco said, pushing a hefty package into Pajarita's hands, "you're taking this meat. I don't care what you say. I know your husband's gone--the desgraciado." She sat her ample body down at Pajarita's table. Pajarita stared at the gift.
"I have no way to thank you."
Coco continued as if she hadn't heard. "Secondly: your plants. They're strong. You should sell them."
"Sell?"
"To women in the barrio. You can start in the store, behind the counter with me. Look, once word spreads about your cures, better than a doctor and cheaper too, you'll be putting food in those boys' bellies." It had never occurred to her, but she couldn't think of a reason not to try. She took her children and a basket of leaves and roots and barks to the butcher shop. The boys resumed an epic pretend game of gauchos-in-the-campo, riding imaginary horses among the chunks of flesh that hung from the ceiling. In one corner of the room, between the chopping block and meat hooks, Pajarita arranged two small wooden stools and sat down on one. Ignazio, she thought, I want to kill you, to kiss you, to carve you like a flank; just wait and see how I'm going to live without you by my side.
Coco served as a living advertisement. Women began to come. Some of them just needed to be heard; they told sprawling, unkempt tales of death in the family, brutal mothers-in-law, financial pressures, wayward husbands, violent husbands, boring husbands, loneliness, crises of faith, visions of Mary, visions of Satan, sexual frigidity, sexual temptation, recurring dreams, fantasies involving saddles or bullwhips or hot coals. She offered them teas for comfort, luck, or protection. Other customers came with physical conditions--pain in their bones, a stitch in their side, numbness in hips, ears that rang, forgetfulness, sore knees, sore backs, sore hearts, sore feet, cut fingers, quivering fingers, wandering fingers, burns, headaches, indigestion, excessive female bleeding, a pregnancy that wouldn't come, a pregnancy that had to end, cracked bones, cracked skin, rashes no doctor could diagnose, aches no doctor could cure. There were housewives, maids, sore-handed seamstresses, sweaty-handed adulteresses, great-grandmothers swaying with canes, young girls swooning with love. Pajarita listened to them all. She sat still as an owl as she listened. Then she handed them a small package and explained what to do with its contents. Word spread. Women came to see her from all corners of the city. She could barely keep up with harvesting from cracks in the sidewalk, nearby parks, and the pots in her own house. To Coco's delight, the seekers often picked up their daily beef along with their cures. Pajarita set no price. Some gave her pesos, others fruit, a basket of bread, a ball or two of handspun wool. Anonymous gifts appeared on the Firielli doorstep--baskets of apples, jars of yerba mate,handmade clothes for the children. They had enough.
She had developed a peculiar sort of fame. Her name was whispered through the kitchens and vegetable stands of Montevideo. Pajarita, she cured me, you should go see her too. And when I almost. You saw me then. If it hadn't been for her. Strange, she thought, that all of this should grow from something as familiar as plants, such...
Reviews
...
This sweeping narrative traces one family's story through the lives of four generations of strong, independent women in Montevideo, Uruguay. They survive and thrive during the two world wars, exile, revolution, and personal triumphs and tragedies. Spanish words and phrases are sprinkled throughout the story, keeping the South American setting in high relief. Christine Avila adds authenticity to her narration with her perfect pronunciation and timing. While there's little differentiation between characters, Avila skillfully weaves the story of the four women, each of whom has her own story while sharing common themes with the others. The only distraction from this well-told novel is when Avila slips into a distinctly American accent for the Spanish-speaking characters. E.N. (c) AudioFile 2010, Portland, Maine
) ...
"The Invisible Mountain does what the best, most readable novels do: it tells a compelling human story about identity while also quietly evoking a place and time." --O, The Oprah Magazine (in "10 Terrific Reads of 2009"
Lynn Rosen, The Philadelphia Inquirer...
"Passionate and beautiful...De Robertis has created a vivid new landscape, both internal and external, and provided the reader with a glimpse of the country of her ancestry, a land haunted by a mountain that is not really a mountain."
Rebecca Stropoli, BookPage...
"The Invisible Mountain is a poetic and absorbing generational epic that pays tribute to a colorful culture and amazing history. De Robertis is a promising young writer, and we can only hope there is much more to come from her."
Joan Frank, San Francisco Chronicle...
"A galloping saga...hugely ambitious. De Robertis [has] an apparently bottomless gift for lush metaphor. The Invisible Mountain winds up being the kind of novel you stay up late to finish and lie awake thinking about. It is breathless, full of tenderness...its ensemble of women and men [are] bent on living every moment as if on fire, answering the great question of life (how, then, to live?) as passionately, with as much teeth-rattling urgency, as they humanly can."
Publishers Weekly, (starred review)...
"Enchanting, funny and heartbreaking...Beautifully written yet deliberate in its storytelling, [The Invisible Mountain is] an extraordinary first effort whose epic scope and deft handling reverberate with the deep pull of ancestry, the powerful influence of one's country and the sacrifices of reinvention."
Michele Leber, Booklist (starred review)...
"De Robertis is a skilled storyteller, but it is her use of language--from the precision of poetry to the sensuality of sex--that makes this literary debut so exceptional."
Kirkus Reviews...
"Beautifully wrought...Miracles, poetry, and guerilla fighters march through the twentieth century in De Robertis's winning debut...Dense and lush, filled with lyrical storytelling."
Lisa Shea, Elle...
"An incantatory debut...This visionary book beautifully, bravely breaks open all the old secrets."
Sara Nelson, The Daily Beast...
"The brainiest dynastic novel in years. A high-end story full of sex, politics and family."
Anita Amirrezvani, author of The Blood of Flowers...
"Deeply engrossing...This novel makes us ponder the struggles of our own grandmothers, mothers, and daughters, and gives us the compassion to recognize that the links between us are deeper than the differences. A fierce, wise, and tender tale."
Matthew Aaron Goodman, author of Hold Love Strong...
"With grace, fluidity and a modicum of magic, an extraordinary and passionate family navigate the social and political landscapes of South America. The Invisible Mountain is a wonderful story; and De Robertis is a writer to watch."
Alex Espinoza, author of Still Water Saints...
"Carolina De Robertis is a writer of uncanny wisdom and an alchemist of words. With The Invisible Mountain, she has introduced us to an unfamiliar landscape of harsh contradictions and of the heavy burden history often plays in the shaping and altering of lives on the brink of change. The Invisible Mountain introduces a gifted literary voice mapping the uncharted territories of the Americas in a fearless new way."
Cristina García, author of Dreaming i...
"With this marvelous novel, Carolina De Robertis brings to vivid life the history and culture of Uruguay, a country too-long neglected in the consciousness of the Americas. Bold, passionate, and filled with songs both ecstatic and tragic, De Robertis tells the stories of three generations of women whose lives transcend the ordinary."
Digital Rights Information
OverDrive WMA Audiobook
Burn to CD:
Not permitted
Transfer to device:
Permitted (6 times)
Transfer to Apple® device:
Permitted
Public performance:
Not permitted
File-sharing:
Not permitted
Peer-to-peer usage:
Not permitted
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.